Resident Evil: Retribution (2012) is the point where the franchise fully embraces its identity as a straight-up action spectacle. Any remaining traces of horror are wiped away, making room for relentless fight sequences, wild set pieces, and high-energy pacing. The plot is simple and mostly exists to keep the action moving, but it does introduce some interesting elements, like Ada Wong’s arrival and the expanding influence of Umbrella. That said, while the story has potential, it never really dives deep into anything, keeping everything surface-level.
The directing sticks to Paul W.S. Anderson’s usual style, with slow-motion overload and CGI-heavy action. The cinematography, handled once again by Glen MacPherson, maintains the same hyper-stylized approach as the previous films, and while it looks slick, it can feel repetitive. Editing-wise, it is still messy, but at this point, it is almost a signature of the franchise. Despite its flaws, the movie has some fun sequences, and a few moments hit well, especially in terms of visual spectacle.
Milla Jovovich continues to be the glue holding everything together, bringing the same energy and badassery that keeps these movies watchable. She makes every action scene feel engaging, even when the script does not offer much in terms of depth or dialogue. The soundtrack keeps up the fast-paced, high-energy vibe, fitting the film’s style. While Retribution is far from perfect, and definitely not the best in the series, it is still enjoyable in its own chaotic way. If you go into it expecting pure action and nothing else, there is fun to be had, even if the franchise’s roots are long gone.