This takes a logical step on from Coralie Fargeat's earlier "Reality+" (2014) drama, only this time it takes a much more substantial swipe at all things vain. "Elisabeth" (Demi Moore) has been at the top of her fitness game for many a year when her boss "Harvey" (Dennis Quaid) decides that she's now too old and that a younger model is needed to present those programmes we all saw on the television of gorgeous, fit and healthy, people showing us how to exercise on a mat in from of our televisions each morning. Distracted by her imminent removal, she is involved in a car accident that introduces her to an handsome young nurse (Robin Grear) and then to a curious invitation to test out a mysterious fluid that can essentially give her her cake and eat it. In best "Jekyll and Hyde" tradition, injecting this quite literally creates a split personality. One is her current self, the other a perfect, younger specimen. They work in a rota system each gets a week of consciousness then has to take a week out. Thing is, the more vivacious character "Sue" (Margaret Qualley) is not so religious about sticking to these sharing rules and we quickly discover that what is "borrowed" can never been returned - with increasingly harrowing results. With the gushing "Harvey" determined to capitalise on his new ratings winner, things become decidedly irritating for the now marginalised "Elisabeth" - but shat can she do? There's no going back...! I think this is Moore at her best. Her palpable sense of evolving fury, exasperation and frustration is expertly captured as is the selfishness of her alter ego by an on form Qualley. Quaid steals his scenes as the truly odious epitome of corporate greed for whom it's all about the business, the money and never the actual people concerned. The denouement is reminiscent of something concocted by one of the David's - Lynch or Cronenberg, and allows the throbbing ghastliness of this story of vanity gone mad to demonstrate just how fickle life can be when there's little actual substance at all to their shallow and vacuous lives. A savage indictment of the short-term and unprincipled "beauty" industry that aims squarely at just about everyone and everything involved, is engagingly toxic and well worth a watch.
