Jean-Paul Belmondo spends much of this film in just his boxers after his "Poiccard/Kovacs" character pinches a car, kills the pursuing police officer and the ends up taking refuge with his new journalism student friend "Patricia" (Jean Seberg). She's not quite aware of the extent of the trouble her new beau is in when he sets about trying to convince her that he has some cash coming and that they should go and live in Italy. His identity isn't exactly unknown to the cops either, and with his face plastered over the front page of every newspaper in Paris, his chances of attaining his idyll are beginning to look remote - especially as he has precisely no self-awareness as he travels the city for all to see. Of course, it has to be only a matter of time before "Patricia" finds out the truth about him - but what will she decide to do? It's essentially a two-hander between the pair and they gel well as the story gathers pace. Seberg's character is engaging and it's easy to see why she falls for the enigmatic and charming criminal who exudes about as much menace as a wet cabbage. There's a fun interview scene when she is charged with quizzing the writer "Parvulesco" (Jean-Pierre mMlville) - a rather pompous individual who announces his life's ambition is to become immortal and die. I guess that might have been how "Poiccard" might have looked at things too - though maybe not the second element too soon. Now the editing. Hmmm. It's messy. Might that be deliberate or just an intern with some sellotape and a blunt razor blade? It's another talking point for this quirky and entertaining crime drama - with a difference.
