Some creative kills and a decent atmosphere fail to obscure a vapid nihilism, rather meandering plot with a twist that makes little sense, and some quite nasty misogyny. Basically two or three admittedly masterful performances away from being nothing more than a padded ultra-violent bad Law and Order episode. The Brakhage-inspired title sequence is orders of magnitude better than the film itself. The hodgepodge of contextless references to classic literature doesn't make this any cleverer, either. This is basically everything that people who don't watch "film bro movies" unfairly think all modern thrillers are like. Has aged horribly as well.
