Marlene Dietrich is on great form as the manipulative "Concha" in this engaging, risqué, comedy drama set in Spain at the turn of the 20th century. It is related by Lionel Atwill's "Pasqualito" who regales the young "Galvan" (Ceśar Romero) with tales of her beauty - and of her selfishness; with a solid warning that he ought to give her a wide berth. Promising to do so, he promptly falls into her web of temptation much to the chagrin of his friend and, ultimately, himself! This is a different take on the femme fatale role. "Concha" is not duplicitous, she is clearly untrustworthy and unreliable - but she still manages to captivate this young man as easily as she did his older friend many years earlier. What is about her that makes her so alluring, that makes men so vulnerable to her charms? As ever with Josef von Sternberg's direction of this actress, the camera lingers on her expressions, her mannerisms and her smile - and it loves it. The whole thing is lit to show the lustre from her skin, her smile and the glint in her character's eye that ought to signal to any sane person to stay well clear (even when she is dressed as a nun!). Alison Skipworth chips in well as her mother and the fact that there are few others in this film further intensifies the potency of the efforts from the leading three for a relatively short, but tightly packed, 80 minutes. Her dance is the stuff of cinema legend (even if the censors got to it) and I really quite enjoyed this film.
