Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/for-a-dollar-name-a-woman-last-night-in-soho-review
The plot follows shy, ‘60s-aesthetic-loving Eloise (Thomasin McKenzie) as she leaves her small country home and heads to the big city of London to attend fashion school. After one bad night in the dorm, she decides to move into a room offered for rent by an older woman, Miss Collins (the late, great Diana Rigg). On her first night in the new room, Eloise dreams of Soho in the fabulous ’60s through the eyes of aspiring lounge singer Sandie (Anya Taylor-Joy). That first dream, in which a wide-eyed Eloise watches the confident Sandie secure an audition from Jack (Matt Smith), is a true marvel. The swapping between Eloise in her pajamas and Sandie in her flowy go-go dress as they twirl with Jack is a beautiful technical and choreographic achievement. The flawless re-creation of the flashy lights and neon signs of Soho in the ’60s deserves immense praise. Presented on its own, that first dream sequence is a delight.