Centred around the cut-throat environment of an American newsroom at a time when the focus of the bosses was switching from strong journalistic values to those more ratings-based, we are provided with this premiss. William Hurt ("Grunick") is certainly the more handsome man for the anchorman's chair, but he has nothing like the knowledge or gravitas of colleague and rival "Altman" (Albert Brooks) with his superior, borderline condescending on-screen style. Executive producer "Jane" (Holly Hunter) is charged with trying to keep things on an even keel, whilst unsure which, if either, of the two men she wants to date. At times there atmosphere here is electric, with quickly paced activity, acerbic wit and a wonderfully portrayed dog-eat-dog mentality that lends a great deal of authenticity to this most competitive of workplaces. Ocassionally, it is cluttered up by a romance that is simply not required - the triumvirate just didn't need it, but in the main Hunter is on super form. She effortlessly plays a multitude or roles as she tries to juggle her personal and professional feelings for these two men who offer us characterisations that we can laugh at and loathe in almost equal measure. I worked in live television for a great many years, and always admired the skills of those who can talk, listen, look and react all at the same time - the scene with poor old "Altman" losing half his bodyweight whilst on air still makes me squirm even now. It has lost some of its potency over the last 35 years, but recalling that this was amongst the first to illustrate just how tough these jobs are, it's still a great watch.
