It's not perfect, it's not extraordinary, but I liked what I saw, and I think the film manages to deliver what it promises.
In 1941, Disney debuted one of its most outstanding feature films and the shortest. Relatively cheap to produce and without great ambitions, the film was a success and even the US entry into World War II did not turn away the public, who saw the film as a welcome escape. It would also be the first Disney film to be released on VHS and is now considered an important part of the history of animated cinema, and of universal cultural memory. Making a live-action with enough dignity to match the original was, therefore, a very demanding task in itself. I cannot say that the result fully achieved the objectives, but the truth is that I liked what I saw.
Unlike the original film, which focuses on how Dumbo overcame being different from the others, this film passes very briefly on that subject, almost never addresses the issue of difference, and chooses to focus on what happens next, on how the circus deals with unexpected success, and in Dumbo's relationship with his mother and the human elements that surround him. There are some predictable sub-plots here, such as the drama of the Farrier family, grappling with the death of their mother and the return of their father, injured, from the war, or the difficulties of a small circus with financial problems to compete with other entertainments. However, the movie seems to get darker and more adult as we watch it, and the truth is that I would have some doubts about letting young children see this movie.
The main human role in the film is played by the experienced Colin Farrell, who offers us a good job, full of commitment, but unable to resist when he has to share the scene with Danny DeVito, a very charismatic actor who feels completely comfortable in his role, shinning in a very particular way here. Eva Green also deserves an applause for her work here, in yet another character that is somewhat peculiar, but full of elegance. Unfortunately, the rest of the cast is considerably less interesting and works less well: Michael Keaton is a predictable and uninteresting villain, more contrived than menacing; Alan Arkin doesn't have more than a cameo with a few lines of spoken text; Nico Parker and Finley Hobbins don't do more than what's asked of them, and that's not enough.
Directed by Tim Burton, the film was destined from the start to be a massive work of high-quality visual effects and CGI. Burton likes that, all his films have a lot of visual elements and the visual aesthetic, sometimes a bit far-fetched and kitschy, is one of the style marks of this director, who in this film seems to want to capture the most of the magic of life in the circus, alongside the difficulties and hardships that its artists know. Thanks to the budget available, this director had access to the best CGI and there is virtually not a shred of reality in the film: everything was filmed in the studio, using green screens and other similar resources. Dumbo is all done in computer, and results in a harmonious union between the expressiveness seen in the original animation and the naturalness and realism that we can achieve through CGI.
And if visually the film is extraordinary and really well executed, the rest is not far behind in quality. There are scenes that are virtually copied from the original film, and some of the most famous songs will also reappear ("Baby Mine", "Pink Elephants on Parade", etc.), in clear homages to the first film. The original soundtrack made for this film, signed by Danny Elfman, is very good and does an excellent job.