When a young girl is murdered on her honeymoon, her devastated detective dad "Kanon" (Jeffrey Dean Morgan) joins in the investigation. It doesn't take long for him to discover - with the aid of Swedish journalist "Dessie" (Cush Jumbo) - that this is not an unique crime, even though the perpetrator leaves the bodies as if they were features in a famous work of art. Meantime, the young Naomi Battrick and Ruairi O'Connor are travelling thorough Europe on a train when they encounter the burly, tattooed "Pieter" (Dylan Devonald-Smith). Might they be in the same danger? The story has quite a few twists and turns, and were it in better hands with a better cast then it might have been, well, better... As it is, though, the more interesting aspects of the plot are seriously undercooked; it takes far too long for us to get going and the quality of the acting and the dialogue - pretty much across the board - is nothing special. Some nice scenery, I suppose, but despite his tragedy I just couldn't warm to "Kanon" nor to his underused wife "Valerie" (Famke Janssen). It's a standard television movie that passes the time, but nothing more.