Subpar Bond that believes it has emotional stakes isn't exactly a very winning formula. Far too much bad MCU banter to go with something that wants to be grounded and quite frankly none of the actors are quite adapt at those sitcomy whedonisms that these movies made mainstream (Pugh in particular is terrible at those bits). Some of the mid section action is better than average as far as those movies goes but anything with Taskmasker is very bad and the big end is terrible. Winstone villain made me miss when people like Lonsdale and Lee made lousy Moore Bond plots half watchable. The major limitation is that far too much of the emotional beats depend on what characters talk about their time together when they were a pretend family and altough Johansson and Pugh have good chemistry and Weisz and Harbour do as good job as possible under the circunstances of selling their regrets, there just isn't enough downtime between plot needs to anything of it truly land. I can get what Shortland was hoping to import into one of those but little actually works even with the benefit of a far more standalone movie than most of them. Also, strange how after a decade of postponing giving Johansson her movie, they did one in which she so often feels like a witness/connective MCU tissue for the main supporting characters family drama that they had to give her an extra subplot with her guilty over "killing" Winstone's daughter so it can feel like she has more material to work with. She is both the lead and the most extraneous part of her own movie
