An impressive work, “Midsommar” is Ari Aster’s follow-up to “Herditary,” a decent if flawed horror film.
“Midsommar” follows Dani, who, after the tragic loss of her parents and sister, decides to follow her increasingly distant boyfriend and his friends on a trip to Sweden to visit the pagan cult commune their roommate, Pelle, grew up in. While seemingly open and friendly, it becomes obvious fairly quickly that something else is going on here. The obvious comparisons to “The Wicker Man” are not uncalled for.
First, in the interest of full disclosure, this review is based on the nearly three-hour Director’s Cut of the film rather than the theatrical release. I haven’t even seen the theatrical release, so I can’t attest as to what was added in the nearly 30 new minutes. I will say that the Director’s Cut is pretty seamless and doesn’t seem to have any superfluous scenes.
Second, we need to start with the elephant in the room and address how this compares to “Hereditary,” which as I stated was okay but flawed. The major flaw in that film is that it has its own internal consistency, but doesn’t have consistency from an audience standpoint. There’s only the most minor of hints as to the truth, and it’s clear that in that world, such things were possible, but the audience isn’t really let in on the answer until the end. The audience has to think about it to get that internal logic. I’m usually the type that doesn’t like spoonfeeding information to the audience, but this withheld a little too much.
Okay, that was “Hereditary.” So how does “Midsommar” compare? Well, it’s far better in terms of letting the audience in on the secret and revealing its internal logic. But, sometimes it’s too good at it. There’s not much of a secret. You know what’s ultimately coming.
However, interestingly this is where the brilliance of the movie actually comes in. Much like life and sex, it’s about the journey, not the destination. We know where we’re going, but the fun is in seeing how we get there. And it’s a fun and colorful journey. This is bright daytime horror, taking place in Sweden at Midsommar when there is very little darkness at night, which itself could be a metaphor in that we can see the end and know where we’re going.
So, why only 4 stars? The film is great, but definitely not perfect and has a couple deep flaws. I could give the film a little more credit if it did conceal the end a little more, giving a less obvious “twist.” The other is that it sticks pretty close to traditional character archetypes for horror films. If you don’t know what I mean, this was very well addressed in “Cabin in the Woods.” A little more variety and a little added creativity could have elevated “Midsommar’s” score. While it’s still great, don’t expect a perfect film.