
Thames River Scenery - Panorama of the Crowded River
Filmed from the front of a steam launch in a late Victorian summer, this film offers a glimpse of our 19th century ancestors enjoying their leisure time. The River Thames is crowded with pleasure boats as we glide under Henley Bridge. Ladies in white lace dresses recline under parasols as gentlemen with impressive moustaches take the oars. But even in this antiquated idyllic scene, advertising hoardings on the riverbank try to persuade the moneyed classes to part with their cash. The technique of placing the camera on a moving vehicle, here a boat, was one of the most popular film effects in the very early cinema period. The waterside panorama method employed here was particularly popular for travelogues. Cecil Hepworth, who made this film, was convinced at the time that the cinema would prove to be used mostly for news reporting, but said that work such as this "showed some slight perception of scenic value". That makes this almost an early art film. -BFI
- Overview
- Crew
- Recommendations
Thames River Scenery - Panorama of the Crowded River
- Overview
- Crew
- Recommendations
Status
Released
Release Date
Jan 11, 1899
Runtime
0h 1m
User Score
70%
Original Title
Thames River Scenery - Panorama of the Crowded River
Production Companies
Hepworth
Director
Cecil M. Hepworth
Description
Filmed from the front of a steam launch in a late Victorian summer, this film offers a glimpse of our 19th century ancestors enjoying their leisure time. The River Thames is crowded with pleasure boats as we glide under Henley Bridge. Ladies in white lace dresses recline under parasols as gentlemen with impressive moustaches take the oars. But even in this antiquated idyllic scene, advertising hoardings on the riverbank try to persuade the moneyed classes to part with their cash. The technique of placing the camera on a moving vehicle, here a boat, was one of the most popular film effects in the very early cinema period. The waterside panorama method employed here was particularly popular for travelogues. Cecil Hepworth, who made this film, was convinced at the time that the cinema would prove to be used mostly for news reporting, but said that work such as this "showed some slight perception of scenic value". That makes this almost an early art film. -BFI